Tag Archives: R.K. Laxman

‘Marmik’, the magazine that launched a political party turns 60, and the lines are clear in India’s first family of cartoonists: the Thackerays

Marmik, the Marathi illustrated weekly that was the springboard for cartoonist Bal Thackeray‘s political launch, is celebrating its diamond jubilee with a 64-page special issue carrying tributes from a host of contemporary cartoonists. The weekly, christened by Bal Thackeray’s father Prabodhankar, was launched in 1960 shortly after Thackeray Jr had left the Free Press Journal…

Out of 24 newspapers in 9 languages, only three consider Ravish Kumar’s Magsaysay Award worthy of proper front-page display. George Orwell, also born in Motihari, would be convinced that “Big Brother is watching you”.

How much pride does Indian news media have in one of its own—Ravish Kumar of NDTV India—winnning the 2019 Magsaysay Award for “harnessing journalism to give voice to the voiceless”? Surely, it is front-page news given the spate of bad news dogging the industry? Surely, it is the kind of feel-good stories owners and managers…

Hit and Muss, and the Muzzler: When one of India’s finest cartoonists, Raj Thackeray, rages against Narendra Modi and Amit Shah, political campaigning touches a new ‘Low’

There has been plenty of weird stuff in General Elections 2019, but none weirder than the sight of a political leader whose party was not contesting, drawing bigger crowds than those who were sweating the good sweat. Even more bizarre was the spectacle, and a spectacle it has been, of thousands falling over each other…

“Anybody can do an MBA. Not everybody can become a cartoonist”: the sage advice that turned Satish Acharya into a 24×7 cartoonist in the social media age

Although the Mysore-born R.K. Laxman is the best known of them all, it is Kerala that has produced more political cartoonists in the English language: P. Shankar Pillai, O.V. Vijayan, Abu Abraham, Kutty, Unny, Ravi Shankar, Ajit Ninan et al. In recent years, Satish Acharya has joined his Kannadiga torch-bearer as a political cartoonist of promise,…

Bal Thackeray’s banter at FPJ’s ‘Malayali Club’

T.J.S. George, the founder-editor of Asiaweek magazine, who worked under the legendary S. Sadanand at the Free Press Journal in Bombay, on their common-colleague and staff cartoonist, Bal Thackeray: “Spicy coffee-house theories spread that Thackeray had developed a personal grudge against South Indians. There was talk that he was jealous of R.K. Laxman who started…

And so, India’s three best cartoonists are…

It isn’t often that Indian cartoonists talk about their craft—or their colleagues and compatriots. There is, for instance, a famous incident of the doyen of Indian cartooning, R.K. Laxman, being asked in the course of an interview with The Illustrated Weekly of India, about a younger cartoonist then working for the Indian Express. “Ravi Shankar?…

N. RAM: caustic, opinionated, humane & sensitive

Thursday, 19 January 2012, is a red-letter day in The Hindu calendar. After an eight-year tenure as its helmsman, Narasimhan Ram will step down as editor-in-chief of South India’s largest English newspaper; a tenure pockmarked by several professional highs and as many personal lows. While N. Ram can justly claim to have played a role…

Did R.K. Laxman subtly stifle Mario’s growth?

The passing away of  the legendary Illustrated Weekly of India, Economic Times and Femina cartoonist and illustrator Mario Miranda in Goa on Sunday, has prompted plenty of warm reminiscences from friends, colleagues and co-linesmen, along with a vicious doosra. Bachi Karkaria recalls her colleague from the third floor of The Times of India building in…

A good cartoon is like a raga. The trick is ‘riyaz’

Puthukodi Kottuthody Shankaran Kutty, known simply to the newspaper reading world as Kutty, one of India’s leading political cartoonists, has passed away in the United States at the age of 90. Part of the legendary troika of cartoonists that comprised Shankar and Abu Abraham, Kutty’s work appeared first in the now-defunct National Herald and later…

From Our Staff Correspondent: R.K. Narayan

On the 10th anniversary of his death, The Guardian, London, has a long piece on the legendary creator of the fictional town of Malgudi, R.K. Narayan, who did a short stint as the Mysoe correspondent of the Madras newspaper, The Justice: “After graduating in 1930 from the Maharaja’s College – prototype of the Albert Mission…

M.R. SHIVANNA, a true 24/7 journalist, is dead

sans serif records with regret the passing away of M.R. SHIVANNA, an unsung hero of Indian journalism, in Mysore on Saturday. He was 55, and is survived by his wife and daughter. For 30 years and more, Shivanna slogged away in remarkable obscurity and was one of the pillars on which stands India’s most successful…

When Samir served a thali, Vineet served a scoop

SHARANYA KANVILKAR writes from Bombay: As it approaches its dosquicentennial, India’s biggest English language newspaper, The Times of India, truly deserved a meticulous biography to tell the world on “what goes on inside this amazing media machine”. Sadly, Bachi Karkaria‘s Behind the Times (Times Books, 325 pages) is not that. Poorly structured, poorly sourced and…

The 25-paise mag where R.K. Laxman began

R.K. Laxman may have made his name after a lifetime at The Times of India, but it was for a small Kannada humour monthly called Koravanji that the Mysore-born cartoonist drew his first works. The magazine had been inspired by the British satirical magazine Punch. The first issue saw the light of day, today, 70…

EXCLUSIVE: Unpublished doodles of R.K. Laxman

The hand of India’s most famous newspaper cartoonist, R.K. Laxman, rests in a hospital in Bombay without a pen or pencil in its grip. Not even sure if (or when) it will regain the strength to pick up a pen or pencil to regale the millions who have woken up to the magic behind its…

Why ToI was right to use The Last Supper motif

The Times of India printed this 8-column illustration by Neelabh in late July, to accompany a story on galloping food prices in India, and, following complaints from Christians, published an apology three days later. Allwyn Fernandes, the Times of India‘s former chief reporter in Bombay and now director of media practice and social engagement practice…

The newspaper cartoon that offended Christians

On Sunday, The Times of India carried this 8-column illustration by Neelabh to highlight the travails of R.K. Laxman‘s common man at a time of galloping food prices. Titled “The Lost Supper” and bearing a likeness to Leonardo da Vinci‘s Last Supper, the illustration conveyed the helplessness of the aam admi at the hands of…

Has R.K. Laxman drawn his last cartoon?

SHARANYA KANVILKAR writes from Bombay: A question mark hangs over India’s most famous exclamation mark after a further slip in health of Rasipuram Krishnaswami Laxman, the iconic cartoonist of The Times of India. The 86-year-old Laxman, who has drawn cartoons for ToI for 63 years, has been airlifted to Bombay, reportedly after suffering a “mild…

A businessman behind an iconic common man

India’s greatest cartoonist, Rasipuram Krishnaswamy Laxman aka R.K. Laxman, inaugurates an exhibition of his work at the Indian Institute of Cartoonists in Bangalore on Friday. Wheeling the legendary Times of India linesman, at right, is ‘Master’ Manjunath, the boy who played “Swami” in the television show Malgudi Days, based on Laxman’s brother, R.K. Narayan‘s famous…

Once upon a time, they wrapped fish & pakoras

Devangshu Dutta in Business Standard: “Unfortunately, even R.K. Laxman’s presence wasn’t enough for me to continue with my daily ritual of passing the paper [The Times of India] onto the raddi-wallah after that one brief moment of homage. “For a while, I continued to take it because I was rearing kittens—it was absorbent and useful…

T.S. NAGARAJAN: The Sharada Prasad only I knew

More than a few people have been intrigued by sans serif‘s description of H.Y. Sharada Prasad as the ultimate exemplar of the “Mysore School of Writing“—not too light, not too heavy. And the questions have come flying at us: Is there really such a thing as “Mysore School of Writing”, like the Mysore School of…